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On the Soviet Avant-Garde and Socialist Realism

- The Sublated Style of a Cinema in Transition: Grigori Kozintsev, Leonid Trauberg, and Oleksandr Dovzhenko from the 1920s - 1930s (Ó Dálaigh, 2021)

- Arguing for the Soviet Transition Film: Oleksandr Dovzhenko's Ivan (1932) (Ó Dálaigh, 2021)

On Grotesque Realism

- On the Threshold of Tragedy and Comedy: Grotesque Realism in Khrustalyov, My Car! (1998) (Ó Dálaigh, 2021)

- The Carnivalesque, Modernity, and Post-Modernity in the Films of Ilya Khrzhanovsky (Ó Dálaigh, 2019)

On Forms of Media

- Between Early Cinema and Digital Cinema: Media Archeological Practice in Cowards Bend the Knee (2003) (Ó Dálaigh, 2022)

- Guy Maddin's Seances (2016): A Network of Loss. New Media, Network Pessimism, & Destituent Power (Ó Dálaigh, 2021)

On Poetic Cinema

- Two Representational Strategies of Poetic Cinema: Andrei Rublev (1966) and A Well for the Thirsty (1965) (Ó Dálaigh, 2022)

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