Ailín Ó Dálaigh Photographer | Filmmaker
TEXTS
On the Soviet Avant-Garde and Socialist Realism
- The Sublated Style of a Cinema in Transition: Grigori Kozintsev, Leonid Trauberg, and Oleksandr Dovzhenko from the 1920s - 1930s (Ó Dálaigh, 2021)
- Arguing for the Soviet Transition Film: Oleksandr Dovzhenko's Ivan (1932) (Ó Dálaigh, 2021)
On Grotesque Realism
- On the Threshold of Tragedy and Comedy: Grotesque Realism in Khrustalyov, My Car! (1998) (Ó Dálaigh, 2021)
- The Carnivalesque, Modernity, and Post-Modernity in the Films of Ilya Khrzhanovsky (Ó Dálaigh, 2019)
On Forms of Media
- Between Early Cinema and Digital Cinema: Media Archeological Practice in Cowards Bend the Knee (2003) (Ó Dálaigh, 2022)
- Guy Maddin's Seances (2016): A Network of Loss. New Media, Network Pessimism, & Destituent Power (Ó Dálaigh, 2021)
On Poetic Cinema
- Two Representational Strategies of Poetic Cinema: Andrei Rublev (1966) and A Well for the Thirsty (1965) (Ó Dálaigh, 2022)